The House of Flames

The House of Flames

This objet d’art offers the participant the tools necessary for a guided working through the oneiric realms of the Drakonian panorama.
By glyph, by sigil, by word, by sound...
does the experience become total.

68-page hardback book in 12" x 12" format.
Bound in red cloth with gold foil stamping,
black endpapers, 2-color printing with the music mounted onto the back inside board.
CD version: 96 copies
LP version: 86 copies

“From the perspective of Draconian sorcery, the universe is not first and
foremost a place of solid objects, but rather a place of vibrating energies. Our consciousness can be viewed
as residing at a nexus, or point of assemblage for several modes of vibrating energy, and this is
also where our experience of perception originate.”

Depth. Balance. Focus.
Waves of disintegration.
Shifting perspectives. Slipping ellipses.
Boundlessness.
Diffusion.
Somatic disintegration.
Oneiric navigation.
Alignment.

“Active listening however, is a method that brings us very close to a
sense of ‘now’, and therefore enables us to penetrate the nexus of space and time that keeps
the assemblage point of our consciousness locked in place.”


Michael Idehall has been creating for the public's eye since 2003 over which time he has participated in original scores for theatre and video, been involved with solo and group art exhibitions, performed and released music via several Swedish publishing houses and has
had his writings published by the likes of Belzebez, Aeon Sophia Press and Scarlet Imprint.

Themes recurrent in his works include Draconian Alchemy,
Qliphothic Qabalah and Initiatory Necromancy.

The Sorcery of Sound. Of Word. Of Self.

The House of Flames